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Roundtable talk with Brea Souders presented by Mossless Magazine & Todd P
Brea Souders new image Sunburn in Naples is available in the current auction curated by Daniel Cooney Fine Art and igavel. Bidding is open through September 14, 2010. Check it out here. 2010 ©Brea Souders
Primitive Compass,The beginning of a new body of work from Brea Souders, exciting!
I am delighted to present our first agency exhibition entitled Self for PhotoIreland Festival 2010.
Indigo and Cloth
Basement 27, South William Street, Dublin 2
Dates Friday 2nd July, 7:00 pm - Sunday 11th July, 5:00 pm
An exploration of fragments of memory as voyeuristic observation, conceiving the experience of ‘self’ as a bi-product of mass media dissociation. Creating a ‘memory bank’ through a lens, the artist becomes an observer of their own lives, forging the personal as dissociative media experience.
Group show featuring: Alexander Binder,Sam Falls, Daniel Gebhart de Koekkoek, Flora Hanitijo, Orrie King, Skye Parrott, Brea Souders and Logan White.
Friday 2nd July 7pm, Self group show opening reception.
Friday 2nd - Monday 5th July, You Were Here slide show by Skye Parrott.
Monday 5th - Thursday 8th July, a slide show by Sam Falls.
Thursday 8th - Sunday 11th July, Traum slide show by Alexander Binder featuring dark soundscapes by Black Mountain Transmitter.
Friday 9th July 7pm, SHOOT: photography of the moment presentation by Ken Miller
Brea Souders group Show,
Kris Graves Projects, July 9 - August 14
Opening Friday July 9th 6-9pm.
Brea Souders
Graphic Intersections
Umbrage Gallery, Brooklyn
Curated by the Exposure Project
May 6 – June, 2010Graphic Intersections is a collaborative project loosely based on the old Surrealist and Dadaist game The Exquisite Corpse. Designed to unite disparate artists in an interconnected photographic relay of images inspired by one another, this project strives to emphasize a system of response entirely rooted in unmediated visual reaction.
The first photographer made a photograph, which was subsequently forwarded to the second in line. The 2nd then, based solely on their own visual, emotional, intellectual or philosophical response, in turn made photographs in artistic reaction to the one they were given. The artists involved were not given any written material to accompany the photograph, nor did they know whose image they were responding to. This was designed to propagate chance, or as the Surrealist’s put it, exploit “the mystique of accident.”
Ultimately, Graphic Intersections to challenge the bounds of sequential, narrative imagery, while simultaneously fostering stronger lines of artistic affiliation.
Rachel Hulin has a nice interview with Brea Souders on The Photography Post
Zona Maco, México Arte Contemporáneo
with Hous Projects, NYC
Mexico City
April 14 – 19, 2010
Women in Art Photography: Past, Perspective and Projections
Presented by Humble Arts Foundation and Affirmation Arts, in conjunction with 31 Women in Art Photography, a group exhibition with Brea Souders.
©Justine Reyes
Saturday, April 3, 2010, 2PM
Moderator: Marla Goldwasser, Director, Affirmation Arts
Panelists:
Charlotte Cotton / Co-curator, 31 Women in Art Photography, Creative Director, National Media Museum
Jon Feinstein / Co-curator, 31 Women in Art Photography, Co-founder and Curatorial Director, Humble Arts Foundation
Vanessa Kramer / Director of Photographs, Phillips de Pury & Company
Justine Reyes / Exhibiting artist, 31 Women in Art Photography
Sasha Rudensky / Exhibiting artist, 31 Women in Art Photography
Affirmation Arts
523 West 37th Street
New York, NY 10018
(212) 925.0092
affirmationarts.com
Light refreshments will be served after the panel.
Brea Souders, 31 Women in Art Photography, installation shots, Affirmation arts, New York.
More information on exhibition at Humble Arts Foundation website or view Brea’s portfiolio here.
