DANIEL O'GORMAN Represents

DANIEL O'GORMAN Represents is a full-service artist management & Collaborations agency.

ARTISTS Alexander Binder / Asger Carlsen / Jonnie Craig / Sam Falls / Neil Gavin / Flora Hanitijo
Colin Leaman / Aaron McElroy / Skye Parrott / Pedro Ramos / Brea Souders / Logan White

CREATIVE DIRECTORS Ken Miller / Skye Parrott

SPECIAL COLLABORATIONS Peres Projects

(www.danielogorman.com)
  • Brea Souders Graphic Intersections Umbrage Gallery, Brooklyn Curated by the Exposure Project May 6 – June, 2010 Graphic Intersections is a collaborative project loosely based on the old Surrealist and Dadaist game The Exquisite Corpse. Designed to unite disparate artists in an interconnected photographic relay of images inspired by one another, this project strives to emphasize a system of response entirely rooted in unmediated visual reaction. The first photographer made a photograph, which was subsequently forwarded to the second in line.  The 2nd then, based solely on their own visual, emotional, intellectual or philosophical response, in turn made photographs in artistic reaction to the one they were given.  The artists involved were not given any written material to accompany the photograph, nor did they know whose image they were responding to.  This was designed to propagate chance, or as the Surrealist’s put it, exploit “the mystique of accident.” Ultimately, Graphic Intersections to challenge the bounds of sequential, narrative imagery, while simultaneously fostering stronger lines of artistic affiliation.

    Brea Souders

    Graphic Intersections
    Umbrage Gallery, Brooklyn
    Curated by the Exposure Project
    May 6 – June, 2010

    Graphic Intersections is a collaborative project loosely based on the old Surrealist and Dadaist game The Exquisite Corpse. Designed to unite disparate artists in an interconnected photographic relay of images inspired by one another, this project strives to emphasize a system of response entirely rooted in unmediated visual reaction.

    The first photographer made a photograph, which was subsequently forwarded to the second in line.  The 2nd then, based solely on their own visual, emotional, intellectual or philosophical response, in turn made photographs in artistic reaction to the one they were given.  The artists involved were not given any written material to accompany the photograph, nor did they know whose image they were responding to.  This was designed to propagate chance, or as the Surrealist’s put it, exploit “the mystique of accident.”

    Ultimately, Graphic Intersections to challenge the bounds of sequential, narrative imagery, while simultaneously fostering stronger lines of artistic affiliation.

    Brea Souders

    Graphic Intersections
    Umbrage Gallery, Brooklyn
    Curated by the Exposure Project
    May 6 – June, 2010

    Graphic Intersections is a collaborative project loosely based on the old Surrealist and Dadaist game The Exquisite Corpse. Designed to unite disparate artists in an interconnected photographic relay of images inspired by one another, this project strives to emphasize a system of response entirely rooted in unmediated visual reaction.

    The first photographer made a photograph, which was subsequently forwarded to the second in line.  The 2nd then, based solely on their own visual, emotional, intellectual or philosophical response, in turn made photographs in artistic reaction to the one they were given.  The artists involved were not given any written material to accompany the photograph, nor did they know whose image they were responding to.  This was designed to propagate chance, or as the Surrealist’s put it, exploit “the mystique of accident.”

    Ultimately, Graphic Intersections to challenge the bounds of sequential, narrative imagery, while simultaneously fostering stronger lines of artistic affiliation.

    1 year ago / 1 note
11